Showing posts with label Titus Andronicus. Show all posts
Showing posts with label Titus Andronicus. Show all posts

Friday, October 21, 2016

Creepy Things in Shakespeare

'Sup guys,

Who is this, you are probably asking.  I know.  You have forgotten me.  That is fair and just.

But in recompense I bring you Halloween stuffs!  Is that quality or what? (Please don't say, 'or what')

Ahem.

We all know there are many creepy things in Shakespeare, but I prefer the more obscure ones - the side notes that get glazed over and just accepted out of hand, rather than the grander, "I'm baking your sons into a meat pie and you're going to eat it!" kind.  Although now that I say it aloud, that one sorta always wins.  So suck it, Game of Thrones! Shakespeare did it first!

Don't be proud of that, Khaki.

Okay anyway! I bring you two vurry creepy moments for your... enjoyment I guess.  Ugh. Weirdos.

1. Macbeth is full of little creepy asides - eye of newt and toe of frog - it's just a creepy, crawly play.  But the weirdest bit, for me, comes in Act 2 scene 4 when the men are discussing the unrest and unnatural state of Scotland.  The sun doesn't rise on time, an owl kills a falcon, and weirdest of all, Duncan's noble steeds turn wild on each other and became cannibalistic.  What in the world, you crazy horses? That is terribly creepy in my book.

ROSS
And Duncan's horses—a thing most strange and certain— 
Beauteous and swift, the minions of their race, 
Turn'd wild in nature, broke their stalls, flung out, 
Contending 'gainst obedience, as they would make 
War with mankind. 

OLD MAN 
'Tis said they eat each other. 

ROSS
They did so, to th' amazement of mine eyes.

2. Oh Titus Andronicus. You are a nasty play.  Much smaller perhaps, than baking someone's sons, but for some reason this one really sticks with me as horrid.  Aaron the Moore confesses to doing many terrible things, such as pitting friends against each other, raping maidens, setting barns on fire and telling the owners to put it out with their tears, and worst of all (just my opinion, mind you) admitting to digging up the bodies of the recently deceased and leaving them on their friend's doorsteps, with notes that basically say, "I am dead, how dare you be happy."

“Oft have I digg’d up dead men from their graves,

And set them upright at their dear friends’ doors,

Even when their sorrows almost were forgot;

And on their skins, as on the bark of trees,

Have with my knife carved in Roman letters,
‘Let not your sorrow die, though I am dead.’”

—  Aaron (Titus Andronicus, Act V scene i)


....Can we just.... wow.

Also, if you'd like another good Halloweenie play, I recommend Richard III. That is one slimy dude.  Murders children, woos women whose husband and father he killed. That'd do it!

Enjoy your October, erebody!

Monday, December 7, 2015

Moar Tumblr

Good day to you all!  I am back now (orly?) to share more tumblr posts with you.  Perhaps you are thinking that rather than follow a blog that's so spotty on updates, you'd rather just go to tumblr and subscribe to such things as these yourself.  Well FINE! I have no right to be butt hurt about that, but I cannot promise I won't be.

This is a bit dark. Maybe I shouldn't have lead it with.  NO! NO LOOKING BACK! So anyway, in case it was unclear, or you're unfamiliar with Hamlet (and yet still here?! I love you madly for that.), Horatio is the only person left alive at the end of this play.

These are both references to the same Inappropriate Audition Songs meme of people using songs that hit a little too close to home while auditioning for a certain part in a play.

Re-appropriation of the same quote from The Office

TRUTH.


I am just saying this list is legit.

Hugs and kisses, erebody!


Friday, January 23, 2015

Shakespeare and Tumblr Part 3

Hey-ho!

Today is a tumblr day again - do you love these?  I love these.  If you do, or don't, share your thoughts in the comments!  I plan to keep doing them, because I love sharing the relevancy of Shakespeare's plays.  There is something so enlightening about connecting with people and stories from over 400 years ago.

So let'd just do it!  I will provide explanations where I fear there may be a disconnect.  If I am mistaken and there is no disconnect and you are way smarter than that, then my B, yo.







I hope you enjoyed thoses!  My favorite is by far the first one about Ophelia - "Does she have a boyfriend?" "Not a good one."  Ah, I laughed pretty hard at that.

Anyway, until next week, friends!


Monday, December 8, 2014

You have to call me 'Master' now, right?

Hey everyone!  I must apologize to my MILLIONS of followers for the lack of updates this past week.  I was on vacation!  I was in Hot-lanta and hear you me, it was a blast.

In even more awesomer news (what?) I defended my thesis today!  Yes, you heard right.  This humble blog is totes legit now as it is now officially written by a MASTER OF ARTS.  You may applaud for as long as you like.

What was my capstone about?  I'm so glad you asked! It's titled,


 The Body-Politic in Pieces:
Reflections of the English Succession Crisis through Disjointed Body Parts 
in Titus Andronicus, Othello, and King Lear

The basic idea is that Elizabeth’s death, the uncertainty around her succession, and the fears surrounding James’ ability to rule England inform Shakespeare’s Titus Andronicus, Othello and King Lear. Shakespeare comments on this political climate through the specific examples of body parts betraying themselves – depicting the state of chaos in his tragedies as a corporeal disquiet.

Suuper impressive, right? Yeah, maybe.  I've been awake since 6:00 am with nerves, and then I used up all of my smarts in one intense half hour.  What a rush!

Anyway, fun highlight from Hot-lanta, I found this great magazine with a big article on the front called "The Body-Politic" and got really excited.  Turns out the article is about strippers, so.... that happened.  

But on page four, there was another article about the Ferguson riots and the title was, "More than Sound and Fury," which, as we've discussed here, is a Shakespeare reference from Macbeth!  How thrilling, to find a body-politic reference AND a Shakespeare reference in the same paper.  Boom, my thesis is confirmed.

Okay, okay, they are completely uncorrelated, of course, but how about shut up I am a MASTER so let's not talk about that.


Wednesday, October 29, 2014

Nazi Shakespeare: Fun For All Ages

Guten tag!

I hope this lovely late October day is treating you well.  Let's talk about Nazis.  Every good blog has to come around to the subject eventually, right?  Something to do with Godwin's Rule of Nazi Analogies I guess.

So let's talk about that awkward time when Hitler designed a production of a Shakespeare play.

Yeah. THAT happened.

But let me first say that one of the cornerstones of my deep-seeded love of Shakespeare is that he is universal.  He has been translated into every major language and has interpretations across the spectrum - anything from Mozart wanting to write an opera based on The Tempest, to a plethora of Bollywood movies, to Japanese director, Yukio Ninagawa's stunning rendition of Titus Andronicus below:

Manaka Hitomi as Lavinia, with string in lieu blood.

I just really wanted to share that.

Anyway, the point is that I love Shakespeare's malleability.  And while I'd love to think that the Bard would cringe at the thought of Nazi propaganda, we cannot pretend that Jews, or other minorities, weren't scorned in his day.

But let's talk about all of it anyway!

In one of Hitler’s sketchbooks from 1926, there is a design for the staging of Julius Caesar. It
Nuremburg Rally
portrays the Forum with the same sort of “severe deco” neoclassical architecture which would later characterize the Nazi rallies at Nuremberg.  The really interesting part for me is that Shakespeare, and even Elizabethan England, were considered exceptions to those in the Nazi party who wanted to ban all foreign influences - in fact, he was a major German icon.  They just spun the plays to their liking - which is what all the people do all the time with all the things.

Julius Caesar's Forum
 And sidebar: the Merchant of Venice was not received all that well; even though Shylock (the villain) is a Jew, the play was considered too ambiguous for Nazi taste.  So Hmm Hmm!

As for this Julius Caesar sketch, it's not much of a secret that Adolf Hitler admired the Romans.  After all, he wanted Germany to become the Third Reich, and he considered Rome the first.  I'm sure the grandiosity of it all called to him.  It has called to me on my trips to Rome too.  So yeah, Hitler saw greatness in putting on a performance of Julius Caesar. I get it.

Oh Gawd, Khaki you've gone and compared yourself to Hitler in your blog!  What are you doing that for?!

Remember, boys and girls: Adolf wasn't a monster, he was a person...  And isn't that scarier?


For more on this super interesting subject, check out The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich by Rodney Symington.